Lynda - Audio Recording Techniques

5.0 (1 رای)
کاربرد : آموزش کامل و کاربردی مبانی و تکنیک های ضبط صدای انواع مختلف سازها و صدای خواننده در استدیو
نوع فایل : فیلم آموزشی
زبان : انگلیسی
سیستم عامل : Windows-Mac-Linux-Android-iOS
تولید کننده : Lynda
سال تولید : 2012

توضیحات

ضبط صدا و آهنگ (Audio Recording) ثبت الکتریکی یا مکانیکی و تولید مجدد اصواتی مانند گفته‌ها، خوانندگی یک خواننده و یا اصوات تولیدی از سازها است تا به امروز دو روش برای ضبط اصوات ابداع شده است، یکی به ضبط آنالوگ و دیگری به ضبط دیجیتالی شهرت دارند همواره تکنیک ها و اصولی در استودیو ها و هر یک از محیط های ضبط وجود دارد که با توجه به شرایطی مانند سبک موسیقی، چگونگی قرار دادن میکروفون ها و کار با دستگاه ها و آلات موسیقی مختلف مانند گیتار الکتریک، پیانو، کیبورد و باید در نظر گرفته شوند برای این کار بهتر است در ابتدا بر مبانی ضبط صدا تسلط یابید و سپس تکنیک های موجود برای ضبط صدای تک تک سازها و خواننده را فرا گیرید
در دوره آموزشی Audio Recording Techniques شما با تکنیک های ضبط صدای خواننده و انواع سازها در یک استودیو آشنا خواهید شد

Description

Discover the industry secrets to recording crisp, rich instrument tracks and vocals in any type of recording environment Join renowned audio engineer Bobby Owsinski as he walks through the process of miking and tracking a complete song by Underground Sun recording artist Iyeoka and A-list session musicians in a top-of-the-line studio—in a way that is applicable to any recording space and musical genre Learn how to select the correct microphone and polar pattern for each instrument, with hundreds of revealing listening examples for drums, acoustic and electric guitar, piano, keyboards, and more These professional techniques offer critical insights for those just getting started in the recording process, and a trustworthy reference guide for more seasoned engineers Bobby also demonstrates how to monitor and sculpt EQ settings, why and when to process your input signal, and how to choose the right outboard gear for the track This course employs 360-degree, 3D visualizations that provide an unprecedented perspective of the equipment, players, and microphone placements discussed Plus, with the raw audio files provided, you can critically listen to every recorded example at home with your DAW of choice at full 24-bit resolution
Topics include:
Optimizing your listening environment
Listening to how different microphone types affect recording
Choosing the right microphone for the right recording application
Positioning microphones for a wide variety of recording scenarios
Utilizing proper gain staging, preamps, and direct boxes
Avoiding phase cancellation
Using a compressor, equalizer, and high-pass filter during recording
Setting up a headphone mix
Adding the right amount of compression or equalization
Capturing great sounds from drums, guitars, basses, keyboards, pianos, strings, and vocals
Creating a great drum set sound
Getting the best out of any singer
Dealing with microphone leakage
Utilizing a variety of stereo miking techniques
Setting up and producing a recording session
Creating a rough mix in any digital audio workstation (DAW)

بخش های فایل

این فایل شامل 131 بخش می باشد که بخش های آن به صورت جداگانه در زیر آمده است.

Row	Title	Size
01 - فیلمهای آموزشی
1	00a Welcome	25.11 MB
2	00b What you should know before watching this course	13.17 MB
3	00c Using the exercise files	3.63 MB
4	00d Listening to this course	866.10 KB
5	01a Setting up your monitors	22.90 MB
6	01b Using a basic listening technique	31.80 MB
7	02a Exploring different microphone types	31.22 MB
8	02b Microphone directional response basics	31.73 MB
9	02c Hearing different directional patterns	55.96 MB
10	02d Exploring how the proximity effect works	54.31 MB
11	02e Explaining microphone controls	24.13 MB
12	02f Reviewing microphone accessories	49.88 MB
13	02g Exploring direct boxes	4.92 MB
14	02i Exploring amplifier emulators	7.88 MB
15	03a Explaining the microphone preamplifier	16.67 MB
16	03b Choosing a preamp	16.88 MB
17	03c Setting up the mic preamp	3.66 MB
18	03d Setting the record level	21.38 MB
19	03e Using proper gain staging	5.13 MB
20	03f Knowing what to do if distortion occurs	4.19 MB
21	03g Using the compressor during recording	11.22 MB
22	03h Using the equalizer (EQ) during recording	5.96 MB
23	03i Using the high-pass filter during recording	2.79 MB
24	03j Exploring the principles of EQ	1.94 MB
25	03k Avoiding latency	14.29 MB
26	04a Finding the best place in the room to record	20.00 MB
27	04b Choosing the right mic	6.15 MB
28	04c The secret to mic placement	6.73 MB
29	04d Understanding phase cancellation the sound destroyer	16.18 MB
30	04e Checking polarity	34.07 MB
31	04f Checking the phase by listening	20.82 MB
32	05a Finding the right placement in the room for the drums	11.74 MB
33	05b The keys to a great drum sound	28.06 MB
34	05c Tuning the drums	30.64 MB
35	05d Tuning tips and tricks	15.73 MB
36	05e Miking the bass drum without a front head	32.68 MB
37	05f Miking the bass drum with front head port	19.06 MB
38	05g Miking the bass drum with a front head	14.37 MB
39	05h Using a subkick microphone	25.26 MB
40	05i Miking the snare drum Technique one	50.54 MB
41	05j Miking the snare drum Technique two	15.26 MB
42	05k Adding a bottom snare mic	29.76 MB
43	05l Miking the hi-hat	35.80 MB
44	05m Miking the toms	29.52 MB
45	05n Miking the cymbals	45.37 MB
46	05o Miking the overall kit	22.99 MB
47	05p Using room mics	35.05 MB
48	05q Getting the drum sound	38.79 MB
49	05r Getting the correct drum mix balance	16.67 MB
50	05s Checking the drum phase	11.18 MB
51	05t Panning the drums	16.40 MB
52	05u Tweaking the drum sound with EQ	5.70 MB
53	05v Using the one-mic drum recording technique	36.71 MB
54	05w Using the two-mic drum recording technique	20.31 MB
55	05x Using the three-mic drum recording technique	22.54 MB
56	05y Using the four-mic drum recording technique	18.12 MB
57	05z Tips for drummers to use before recording	2.81 MB
58	05za Tracking a solo drum part	15.81 MB
59	06a Finding the right placement in the room for the guitar	12.84 MB
60	06b Miking the amplifier Technique one	24.58 MB
61	06c Miking the amplifier Technique two	20.68 MB
62	06d Miking the amplifier Technique three	27.33 MB
63	06e Using the Marshall cabinet miking trick	16.35 MB
64	06f Recording the electric guitar direct	47.69 MB
65	06g Prepping for recording acoustic guitar	3.69 MB
66	06h Recording the acoustic guitar with one mic	33.10 MB
67	06i Recording the acoustic guitar with two mics	24.04 MB
68	06j Recording the acoustic guitar with three mics	25.89 MB
69	06k Exploring stereo acoustic guitar miking techniques	23.35 MB
70	06l Recording the acoustic guitar direct	15.77 MB
71	06m Using a limiter when recording acoustic guitar	6.98 MB
72	06n Tracking the guitar part	17.68 MB
73	07a Finding the right placement in the room for the bass	4.84 MB
74	07b Recording the bass using a direct box	22.68 MB
75	07c Miking the bass amplifier	29.16 MB
76	07d Using a limiter when recording the bass guitar	15.36 MB
77	07e Miking an acoustic bass Technique one	44.06 MB
78	07f Miking an acoustic bass Technique two	30.34 MB
79	07g Tracking the bass part	15.48 MB
80	08a Finding the right placement in the room for vocals	4.80 MB
81	08b Recording a scratch vocal	21.24 MB
82	08c Exploring vocal mic placement	39.22 MB
83	08d Using a limiter on vocals	9.51 MB
84	08e Recording in the control room	18.93 MB
85	08f Setting up the vocal headphone mix	16.02 MB
86	08g Doubling the vocal	39.85 MB
87	08h Getting the best from a singer	2.76 MB
88	08i Exploring background vocal mic placement	35.53 MB
89	08j Layering background vocals	28.60 MB
90	08k Recording the lead vocal part	18.11 MB
91	09a Recording a solo grand piano with one mic	35.95 MB
92	09b Recording a solo grand piano in stereo	19.03 MB
93	09c Close miking a grand piano with one mic	47.88 MB
94	09d Close miking a grand piano with two mics Method one	22.24 MB
95	09e Close miking a grand piano with two mics Method two	23.35 MB
96	09f Recording the piano part	20.48 MB
97	10a Finding the right placement in the room for horns	16.72 MB
98	10b Recording a solo sax Technique one	39.97 MB
99	10c Recording a solo sax Technique two	37.60 MB
100	10d Recording a solo brass instrument	42.78 MB
101	10e Recording a horn section Technique one	32.01 MB
102	10f Recording a horn section Technique two	6.16 MB
103	10g Recording the horn section part	13.26 MB
104	11a The key to miking any acoustic instrument	7.20 MB
105	11b Recording an acoustic string instrument	41.90 MB
106	11c Recording a dobro	22.79 MB
107	11d Recording the dobro part	15.38 MB
108	11e Recording the string section	17.17 MB
109	12a Recording drum percussion	20.38 MB
110	12b Recording hand percussion	18.92 MB
111	13a Recording electric keyboards	18.12 MB
112	13b Recording acoustic instruments with a pickup	32.18 MB
113	13c Recording the synth part	12.70 MB
114	14a Understanding the idea behind stereo recording	13.78 MB
115	14b Using the X_Y configuration	53.18 MB
116	14c Using the ORTF configuration	43.34 MB
117	14d Using the spaced pair configuration	12.98 MB
118	14e Using a stereo mic	10.76 MB
119	15a Setting up for a tracking session	73.09 MB
120	15b Setting up a talkback mic	26.20 MB
121	15c Using sound leakage to your advantage	15.34 MB
122	15d Setting up the headphone mix	32.51 MB
123	15e Setting up a click track	19.44 MB
124	15f Setting up for overdubs	30.54 MB
125	15g Recording the rhythm section in the studio	73.44 MB
126	16a The keys to a great rough mix	10.54 MB
127	16b Setting up the effects	21.20 MB
128	16c The rough mix of Simply Falling	86.08 MB
129	16d The final mix of Simply Falling	66.05 MB
130	17 Goodbye	11.07 MB
02 -فایلهای تمرینی
131	Material	3.38 GB

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