Combining a detailed history-economic, ideological, and aesthetic-with in-depth analysis, this illustrated study provides extensive coverage of cinema ...
Since it was first published in 1998, Viola Shafik's Arab Cinema: History and Cultural Identity has become an indispensable work for scholars of film ...
European Cinema and Intertextuality offers an original and up-to-date approach to the representation of history through film. It provides an interpret ...
A series of essays on film and philosophy whose authors - philosophers or film studies experts - write on a wide variety of films: classic Hollywood c ...
This unique volume treats films as philosophy, rather than speaking of films only in relation to philosophy and subjugating the film in question to pr ...
This book explores how Soviet film worked with time, the past, and memory. It looks at Stalinist cinema and its role in the production of history. Cin ...
Film Manifestoes and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical ...
Filmmaker Bill Forsyth is one of the most important and fondly regarded of all living Scottish artists. His filmmaking career, beginning with That Sin ...
L’approche cognitiviste proposée dans cette étude vise à inscrire l’expérience que nous avons du film dans le prolongement créatif et ludique de notre ...
Examining Hong Kong cinema from its inception in 1913 to the end of the colonial era, this work explains the key areas of production, market, film pro ...
Cinema and Language Loss provides the first sustained exploration of the relationship between linguistic displacement and visuality in the filmic real ...
This book provides a social, political and cultural exploration of the Pusan International Film Festival (PIFF) in South Korea that since its inceptio ...
The first detailed English-language book on Korean horror introduces the cultural specificity of the genre to an international audience, from the icon ...
The Cinema of Takeshi Kitano: Flowering Blood is a detailed aesthetic, Deleuzian, and phenomenological exploration of Japan's finest currently-working ...
'Meaning' in cinema is very complex, and the flood of theories that define it have, in certain ways, left cinematic meaning meaningless. Johannes Ehra ...
Andrey Tarkovsky, the genius of modern Russian cinema--hailed by Ingmar Bergman as "the most important director of our time"--died an exile in Paris i ...
Savage Junctures provides fresh insights into Eisenstein's films and writings. It examines the multiple contexts within which his films evolved and Ei ...
ژان-لوک گـُدار (به فرانسوی: Jean-Luc Godard) (زاده ۳ دسامبر ۱۹۳۰، پاریس)کارگردان، فیلمنامهنویس و منتقد سینماییِ فرانسوی-سوییسی است.
ژان-لوک گـُدار (به فرانسوی: Jean-Luc Godard) (زاده ۳ دسامبر ۱۹۳۰، پاریس)کارگردان، فیلمنامهنویس و منتقد سینماییِ فرانسوی-سوییسی است.
Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a cent ...
The French New Wave cinema is arguably the most fascinating of all film movements, famous for its exuberance, daring, and avant-garde techniques. A Hi ...
